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José Guadalupe Posada Aguilar wurde am 2. Archive. (However, this site is not for children, so I would strongly recommend that a parent or teacher go through this page first and copy and paste the information ahead of time.) The art of José-Guadalupe-Posada. 1908. He attended the academy of art and handicrafts and worked as a trainee in a lithography and intaglio printing studio, before his career as an illustrator. • Jose Guadalupe Posada: His Art & Times quite possibly has the best and most comprehensive article on Posada. Though José Guadalupe Posada died over a century ago, the apparitions in his art still haunt the world. There he met Manuel Alfonso Manilla (Mexican, 1830 - 1895) and until 1899, the two men shared engraving duties. 1914), Photo-relief etching with engraving, 8 1/2 × 8 1/2 in English translation: The Grand Dance. Jose Guadalupe Posada (1852 - 1913) was Mexico's most famous graphic artist. El ensayo aborda la exposición homenaje Home. It became an iconic figure in Mexican culture representing death and the way Mexicans face it. Februar 1854 in der mexikanischen Stadt Aguascalientes geboren. Mexican printmaker José Guadalupe Posada (b. José Guadalupe Posada The late 1800's marked an important change in Mexican history, the beginning of civil and political unrest. Shop & Cart Title: El Gran Fandango. Calavera Maderista, José Guadalupe Posada (Collection: National Gallery of Art, Washington DC) Posada died penniless, and was buried in an unmarked grave. Many of his drawings could be considered to be political cartoons. Leben. Er begann seine künstlerische Laufbahn als Helfer in einer Keramikwerkstätte und als Zeichner religiöser Bilder. Though he is known for his satirical illustrations, Posada produced lithographs for matchboxes, congratulatory cards and book illustrations. The man who some call Mexico’s first modern artist was born in Aguascalientes, Mexico, in 1852. Jose Guadalupe Posada, original etching, Calavera Revolucionaria ('Revolutionary Skeleton') was originally published as a broadside around 1910. La Catrina has become an icon of the Mexican Día de Muertos, or Day of the Dead Right side: Acid etching printing plate by JG Posada. Texto publicado en el libro "Recuperación de la Memoria Histórica de Exposiciones de Arte Mexicano, 1930-1950", editado por Dafne Cruz Porchini, Claudia Garay Molina y Mireida Velázquez Torres. 'Las Obras de Jose Guadalupe Posada. Courtesy of the Brady Nikas Collection and Posada Art Foundation The Art of Jose Posada. Title: The very brave skeletons Guatermaltecas of Mora and of Morales Artist: José Guadalupe Posada (Mexican, 1851–1913) Publisher: Antonio Vanegas Arroyo (1850–1917, Mexican) Date: 1907 Medium: Photo-relief and letterpress on blue paper Dimensions: Sheet: 15 3/4 × 11 5/8 in. La Calavera 99%, a take on Jose Guadalupe Posada’s El Gran Calavera Don Quixote, by Jim Nikas, Marsha Shaw, and Art Hazelwood. José Guadalupe Posada (1852-1913) was Mexico's most illustrious graphic artist. About Posada. José Guadalupe Posada wurde am 2. Blog. La Catrina was originally created by Jose Guadalupe Posada and later named and painted dressed up by Diego Rivera in one of his murals. Februar 1854 in der mexikanischen Stadt Aguascalientes geboren. History The skeleton lady was created by lithographer and printer Jose Guadalupe Posada on zinc etching around 1910 as an illustration for a calavera. For over forty years he worked tirelessly as an incorruptible and truly popular artist, illustrating cookbooks and fortune-telling books, collections of songs and riddles, periodicals and newspapers, children's books and novels, and most of all famous broadsides that were distributed throughout the country. José Guadalupe Posada Legendary Printmaker of Mexico Continuing until September 8, 2019 (Closing early to accommodate Cleve Carney Museum of Art construction schedule) Gallery Talks with Director and Curator of Cleve Carney Art Gallery, Justin Witte Sunday September 8th during Frida Fest: 12pm (English), 1pm (Spanish), 2pm (English), 3pm (Spanish), 4pm (English), 5pm (Spanish). • HoustonCulture.org has a short, but nice piece on Posada. ), W: 16 in. Er begann seine künstlerische Laufbahn als Helfer in einer Keramikwerkstätte und als Zeichner religiöser Bilder. The Posada Art Foundation is dedicated to inform and uncover the genius and influence of José Guadalupe Posada's art. Posada produced an extensive body of imagery, from illustrations for children’s games to sensationalistic news stories. Oct 12, 2013 - mexican(o) art(e). This character, who can be seen not only during the Day of the Dead celebrations, but also everywhere in Mexico, was created by José Guadalupe Posada (Mexican 1852 – 1913) joined the publishing house of Antonio Vanegas Arroyo in 1888 as an illustrator and engraver. They worked so closely together, that some works are hard to ascribe definitively to one artist or the other. El Museo José Guadalupe Posada alberga uno de los mejores acervos de la obra del grabador Posada. 1852 Aguascalientes, d. 1913 Mexico City) died three years into his country’s revolution, yet the thousands of satirical illustrations he left behind suggest he was always fighting injustice. Current Events. Location: Private Collection Credit: Courtesy of Giraudon/ Bridgeman Art Library. Video Reels. Portrait of José Guadalupe Posada, ca. His long career began in 1871 with a job as the political cartoonist for a local newspaper in Aguascalientes, El Jicote ("The Bumblebee"). José Guadalupe Posada; Aquí están las calaveras de Don Folias y el Negrito (Here Are the Calaveras of Don Folias and El Negrito), n.d. José Guadalupe Posada; Page secondary navigation. José Guadalupe Posada was born in Aguascalientes in 1852, where he learned the art of lithography. His work was “discovered” in the 1920s by the French ex-patriotic artist Jean Charlot, who called Posada “a printmaker to the Mexican people.” José Guadalupe Posada (1852–1913) was one of Mexico’s most influential political printmakers and cartoonists. 1866 lernte er in der Werkstatt von Trinidad Pedroza die Kunst der Lithographie und arbeitete ab 1871 für die Lokalzeitung El Jicote. Exhibition Closed What May Come: The Taller de Gráfica Popular and the Mexican Political Print Jul 4 – Oct 12, 2014; Explore Further. Movie. Artist / Origin: José Guadalupe Posada (Mexican, 1852–1913) Region: Mesoamerica, Central America, and the Caribbean Date: 1913 Period: 1900 CE – 2010 CE Material: Zinc etching Medium: Prints, Drawings, and Photography Dimensions: H: 12 in. José Guadalupe Posada, (born Feb. 2, 1851, Aguascalientes, Mex.—died Jan. 20, 1913, Mexico City), printmaker whose works, often expressionistic in content and style, were influential in the development of 20th-century graphic art.. As a child, Posada worked as a farm labourer and in a pottery factory. Contact Us. (Carson, CA) – “Legend and Legacy: José Guadalupe Posada and Contemporary Latinx Art,” a multimedia exhibition tracing the influence of Mexican illustrator José Guadalupe Posada on contemporary Latinx artists, will run Oct. 7–Dec. Grabador Mexicano' (Mexico City, 1930) Grabador Mexicano' (Mexico City, 1930) José Guadalupe Posada (Mexican, 1851–1913) From Hecho a Mano, José Guadalupe Posada, Calavera Huertista (ca. 3,267 were here. La Calavera Catrina or Catrina Ljazmun a Calavera Garbancera ('Dapper Skeleton', 'Elegant Skull') is a 1910–1913 zinc etching by the Mexican printmaker, cartoon illustrator and lithographer José Guadalupe Posada. Art of the Print Original work of art engraved by Jose Guadalupe Posada entitled, El Jarabe en Ultratumba - The Folk Dance Beyond the Grave. (30.5 cm. Jose Guadalupe Posada was a lithographer and print maker in Mexico's pre-Revolution times; he is best known for the creation of La Catrina, the skeleton lady that became the image of death in Mexican culture and is considered by scholars the father of Mexican modern art. Object Details. Our Gallery offers a wide selection of international fine art. 1866 lernte er in der Werkstatt von Trinidad Pedroza die Kunst der Lithographie und arbeitete ab 1871 für die Lokalzeitung El Jicote. Posada was a cartoonist, and his work reached a fever pitch just as the Mexican revolution was beginning. 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