He joined Framestore in 2009 and worked on films such as HARRY POTTER AND THE Deathly HALLOWS: PART 1 or GRAVITY. Kyle McCulloch, Writer: South Park. KYLE McCULLOCH: As much as I love the digital wizardry that we create in post, I still get goosebumps watching the combined might and skill of a film production put something remarkable on film. ‘We could push the asset to deliver different types of performance, and still get a realistic feel in how the rocks fit together’, says Kyle McCulloch, VFX … See the complete profile on LinkedIn and discover Kyle’s connections and jobs at similar companies. Industrial Light & Magic -VFX Supervisor: Chad Wiebe Framestore -VFX Supervisors: Alexis Wajsbrot and Kyle McCulloch Double Negative -VFX Supervisor: Stuart Lashley. Jumping from Rocket, the talking racoon hero of Guardians of the Galaxy, to a lively set of animated household items in Beauty and the Beast was certainly an interesting change of pace for co-production VFX supervisor Kyle McCulloch. We speak to Kyle McCulloch(Gravity, Guardians of the Galaxy), who was the Framestore VFX Supervisor on Beauty and the Beast. Kyle McCulloch, VFX supervisor. Cogsworth 'Working with Ian McKellen as a voice artist provided us with a wonderful place to start, because his delivery had so much character!' Trixter -VFX Supervisor: Alessandro Cioffi Luma Pictures -VFX Supervisors: Vincent Cirelli & Brendan Seals. Framestore worked on over 750 shots; animating the whole cast of household staff for the film, including the hero characters of Cogsworth, Lumiere and Mrs Potts. He worked in many studios such as Curious Pictures, The Orphanage or ILM. (2009). Kyle McCulloch - VFX Supervisor Transporting the audience to an idealised interpretation of 1920s Britain required careful work on the structures of buildings including the Abbey (Highclere Castle), Buckingham Palace and Lacock village, a national trust village in the Cotswolds which was used as a location for Downton’s village. View Kyle McCulloch’s profile on LinkedIn, the world's largest professional community. (2009). adds McCulloch. Kyle McCulloch is in visual effects for over 15 years. We initially started working with Sarah Greenwood, the production designer, on developing the characters … Kyle McCulloch - VFX Supervisor If Framestore’s work below the ocean was a question of balance and style, the VFX work atop the ocean waves was all about painstaking technical craft.
Kyle McCulloch - VFX Supervisor They began with Lady, a cocker spaniel, says Arslan Elver, Animation Supervisor, “the brief was clear - they wanted our CG dog to intercut with footage of the live-action dog, Rose, so it had to be perfect.” Digital Trends spoke to VFX supervisor Kyle McCulloch about his work on the film and how his team turned back the clock to give Downton Abbey new life.
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